Recording, Mixing Engineer & Producer
I am a freelance producer, mixing and recording engineer based in Berlin. For years I have been heavily involved in the underground indie and rock ‘n’ roll scene in the city, working as a touring guitarist throughout Europe.
This has included opening for bands such as Beatsteaks, Dropkick Murphys, Die Toten Hosen amongst others.
Since 2010 I have been and continue to be a central member of the in-house staff at TRIXX Studios in Berlin.
This has meant engineering sessions for artists like Robb Flynn (Machine Head), Brockhampton, and, most recently, Grammy award-winning Billie Eilish.
In recent years, I have been more focused on producing independent bands in the city whose music I find interesting.
Engineered sessions for:
Billie Eilish, Pete Smith (Producer of Sting, Joe Cocker, Randy Crawford, Squeeze), Machine Head, Prong, J.Mascis (Dinosaur Jr), Max Richter, Brockhampton, The Chainsmokers, Juice WRLD, Smokepurpp, Trippie Redd, Lil Mosey, LunchMoney Lewis, Little Dragon, Max Prosa, U3000, Saint Lu,
Rea Garvey, Andy Chatterley, Nick Howard, Alvaro Soler, Max Giesinger, Hal Tsuchida, Torsten Goods,
Julia Neigel, Jana Pallaske, Moa Mckay & The Flying Cabaret, The Flavians, Ponte Pilas, The Graves, One Week Wonder, Los Espiritus, BIMM Berlin, Kilian & Jo ft Erik Rapp, Kaind, Raury/Lion Babe, Dan Bodan, Jochen Arbeit (Einstürzende Neubauten), Jennifer Akermann, The Metafiction Cabaret, Wires & Lights, Anne Haight, Mic Donet, Molotow Brass Orchestra, Berlin Metropole Orchestra, Deers/Hinds, Easter, VizeDiktator,Converse Rubber Tracks, Berlin Blackouts, The Say Highs,Paris suit yourself, Schwarz don´t crack, Dj Kaos, Stahlmann, David Rothenberg,Buttering Trio, Shana, Odno no, Boombox, Transylvania, Deaths, Raputation TV, Ben Bazzazian, Haftbefehl, Afrob, Karate Andy, Luciano, VICE, NETFLIX,
Production, Mixing, Recording
Listen more on Spotify
I believe making records should be memorable. You will remember this experience for the rest of your life and the process will influence the music you are trying to capture. Therefore, I have been working to develop a more personal and interesting approach for artists I work with.
Able to make a record anywhere that has power, from churches to rehearsal rooms to abandoned factories, I love to include the space as a vital part of a record’s sound. With professional equipment and a passion for making each recording a unique and rewarding experience, I ensure the highest quality of product from each session.
The first step is simply to get in touch and to meet me in person. I am always interested in hearing new artists and discussing potential collaborations. The fact that you have booked a recording studio also doesn't mean you are tied to using their staff engineer. You may wish to bring in your own person and, in this case, with a great deal of experience in both analog and digital domains, I can be a great option.